So why not interpolate the whole area of the chip in 4×3 DV mode? I’ve been out of the office for a few days, but I’ve got more info. I just don’t see what you mean by chroma resolution being different to the number of pixels. Hopefully it would mimic the most succesful day for night done in monochrome days with underexposed IR film stock. When it does, you can resume using the camcorder. You cannot attach the lens cap directly to the camcorder.

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When Twilight is chosen, the camcorder automatically adjusts the focus from approx.

If a tiny spot of blue, say, happens to fall on a red-sensitive area of the CCD in the 1-CCD camera, then it will be lost from the image. However, decent cameras have IR filters to prevent it because IR from a visible scene pollutes the red channel giving odd colorimetry. I’ll just ammend that, standard DV recording is 4: But I am definitely beginning to think there’s a healthy dose of marketing bollocks in that brochure – surprise surprise.

Also recommend Sony Vegas can definitely not only wuerd ichs because the stream is captured as RAW mpeg and therefore the Search in the same stream for cutting becomes a nightmare I have my CD synonymous moved and have a couple of days until I find something reasonable ‘ve found. I just don’t see what you mean by chroma resolution being different to the number of pixels.


But is it a better picture?

JVC GR-PD1 review and test from Computer Video Magazine

So my question is quite simply this. Don’t worry about how much of the sensor’s used, it’s what the pictures look like that matters, the manufacturer’s job is to get that right by whatever means best suit the product.

None of that’s very well written or jcc, but I’m in a hurry! First, the captured resolution. I can’t jbc who from, or what the details are, I still have to observe confidences. They aren’t claiming full luma resolution, they can’t because they have to do running signed summation of adjacent pixels along the line. As a later post in the topic says, I was not sure about some comments made regarding three versus single chip sensors, but more of that later.

Infocus – thank you for your thoughts on my review of the Sony PDX10p. But the public has been ‘educated’ to think that the more mega-pixels, the better the image.

JVC GR-PD1 Camcorder – Black

It’s also complicated by non-square pixel issues. Page 8 How To Use The Audio Cable When using optional headphones or external microphone, connect to the provided ivc cable with a core filter attachedthen connect the audio cable to the camcorder.

March 27, – Sorry about adding my comment, I just felt like contributing something. Well, yes, I agree in principle, but “what the pictures look like”, can also refer to lens coverage issues. February 9, – Video Cameras by Sean Hollister Sep 4, I’m afraid I still don’t get what you’re saying about the colour system. For a cleanly edited tape, confirm and adjust the timing of the camcorder against your VCR.



It does have a 50p mode I seem to remember, for which the HDV format is necessary, but Interesting to compare the Australian literature http: Its oversampling the image, providing the compressor with an image at higher resolution that it needs for tape.

This keeps all these important functions within easy reach whatever the angle of the gr–pd1. Looking at Tom’s graph paper diagram, unlike the latter yr-pd1 much cheaper camera does seem able to interpolate a large number of CCD pixels down to DV resolution, and presumably avoid the lens angle compromises made by JVC in the PD I ask this because for some time I felt as though I should upgrade to a better Camera.

Facebook’s follow-up to Portal will sit on your TV, says report It’s reportedly another project coming out of Facebook’s futuristic Building 8 lab. Something along these lines seems standard practice in magazines such as Amateur Photographer.

Insert Editing dv Only Make sure you only edit recorded areas. Naturally expands the image to fit the screen without distortion. To load a memory card, firmly insert it with its clipped edge first.

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